
Cirith Ungol forged a career out of Elric lyrics and Michael Whelan album covers.
Some might even go so far as to call it the Heavy Metal Capital of the World — a moniker that originated in the ‘80s, when bands like Judas Priest and Iron Maiden were getting airplay and headlining gigs here long before they broke into the mainstream.
So here’s a question. Has San Antonio’s history as a Metal Mecca had an impact on the city’s sf/fantasy/horror scene?
Let’s think through this. Pretty much since its beginnings, metal lyrics and imagery have owed a hefty debt to sf, fantasy and horror.
In the ‘70s, Zeppelin tapped J.R.R. TOLKIEN for inspiration, not once but several times (“Misty Mountain Hop” and “Ramble On” being two obvious ones). Blue Oyster Cult used lyrics from sf authors MICHAEL MOORCOCK and JOHN SHIRLEY. Black Sabbath, arguably the first real metal band, had a song called “The Wizard” (about what else?) on its debut album.
By the time the ‘80s rolled around, sf, fantasy and horror had become metal mainstays. Judas Priest’s “Electric Eye” and “Metal Gods” were pure sf, Iron Maiden’s “To Tame a Land” ripped its lyrics straight from FRANK HERBERT’S “Dune,” and Manowar made a campy career out of ROBERT E. HOWARD-esque barbarian anthems.
And that’s just the lyrics. During metal’s heyday, it seemed like the work of well-known genre artists like FRANK FRAZETTA and MICHAEL WHELAN appeared on as many album covers as books. (Yeah, that’s an exaggeration, but don’t stop me when I’m on a roll!)
So, here’s where I’m looking for input from our humble readers — namely those of you with a few Maiden and Motörhead albums in your collections. Did your interest in sf/fantasy/horror spur your interest in heavy metal, or did lyrics of your favorite metal bands prompt you to start reading in the genre?
In other words, which came first for you, “British Steel” or “The Stainless Steel Rat?” Expiring minds want to know.







I was certainly into both Harry Harrison and JP at around the same time. Both forms of media fed into each other. And every night at 10:00 I was there for the Joe Anthony show introduced by the subtle strains of Japan’s Loudness. Before I moved to San Antonio as a teen, metal was more in the underground, but Joe, The Godfather, was playing Priest, as well as Iron Maiden, Budgie, Ozzy, Dio, The Godz, BÖC, Riot, Saxon, Mercyful Fate and so much more. But it wasn’t just the music I was drawn too…it was the fantasy and horror themes that really spoke to me.